Okay, let's imagine that my idea of a good time is architecture, with a non-fiction book to help me calm down afterwards. Now let's drop me onto Bourbon Street, and see what happens. I wish I had pictures.
I'm not sure what I had imagined, but Hank leaned over and commented, at one point, that it was like Busch Gardens on crack. Music poured out of every open doorway, people sloshed into the street from every direction and in every possible way, and even though Mardi Gras was a while back, a fair number of people wore beads. Hmmm. Wonder how they got them?
The thing is, there's a lot of humanity to be watched, and a lot of music to listen to, and it was fun. I was a little surprised at that last bit, because this really isn't my deal. When I was looking completely overwhelmed, Hank steered me into Cafe Beignet, where we had excesses of our own -- pecan tarts, bread pudding, and, of course, beignets that were -- thank you Jimmy Buffett -- too hot to touch. All the while we were doing this, we sat at a little table in an open courtyard listening to a Dixieland jazz band fronted by a guy who calls himself Steamboat Willie. (I informally dubbed his bass player Slick Willie and his drummer Wet Willie, and that pretty much sums them up.)
Thing is, Steamboat Willie could flat play a trumpet, AND a banjo. So it was good music, lots of sugar, and welcome to New Orleans.
I got back to our hotel room (on the 19th floor of the Pere Something), took a shower, and honestly, literally, do not remember closing my eyes.